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Since her 1993 breakthrough in Robert Altman’s Short Cuts, Moore has made a career of portraying complex and often unraveling women, turning even her most ordinary scenes into transfixing character studies. ... [This] small selection of films—including two from MoMA’s collection (The Kids Are All Right and Far from Heaven) along with masterworks like Safe and Magnolia—captures an actor in top form, exploring remarkable emotional depths.